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THE VIRUS- NO CURE LP TOUR

What:

When: -

Where: 1015 Folsom (1015 Folsom St., San Francisco, CA)

Minimum Age: 21+

Type: Indoor - Club

Web Site: Click Here

Genres: Drum and Bass

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STAMINA XL & 1015 FOLSOM PRESENT THE VIRUS- NO CURE LP TOUR
ED RUSH & OPTICAL
FUNTCASE (SPECIAL DNB SET)
THE UPBEATS
GRIDLOK // JAMAL

RITUAL DUBSTEP FEATURING
UPRISE AUDIO TOUR // SEVEN // LSN LIVE
FEONIX // JUSS B // INDIJI // NEBAKANEZA

HOSTED BY: JOE RAYGUN & SIMETRA

front room hosted by TACOSNAPS
10PM - 3AM | 21+

ED RUSH & OPTICAL
There aren’t many artists who can claim to have changed the face of a genre of music, let alone to have changed that face more than once. Ed Rush, however, is an exception to that rule. Ever since his first production outings alongside his neighbour (and infamous owner of No U Turn Records), Nico Sykes, Ed Rush has consistently proven he has the ideas and attitude to transform drum & bass and is never afraid to push that infamous envelope.

Moving through the sounds of hip hop and electro in his early musical years, like many of his peers Ed Rush became fascinated with the burgeoning rave scene that was blowing up his hometown of London. The breakneck speed chopped breakbeats and piles of sub-low bass appealed greatly, and it wasn’t long before Ed Rush had convinced Nico to work on some tracks with him. The first result of their production partnership, of course, being the immense ‘Bludclot Artattack’, an out-and-out darkside jungle classic which marked a new era in hardcore, pushing the music into the realms of what we now know as drum & bass.

FUNTCASE
FuntCase (aka James Hazell) has been in the dubstep scene for a hot minute but already making a very solid impact on the scene, with a medley of ranged beats capable to kick the wig off of any head!
Since starting his dubstep creations back in July 09, FuntCase has thrown some of the most filthy, and most catchy tunes out there, causing his popularity to rise massively in such a short amount of time.
In the 6 years of his production career, previously creating Drum and Bass, he had numerous releases under the name 'DJ Dose' but never did he realise the opportunity of the dubstep scene, when he made his first tracks 'gorilla flex' and 'make our day' as a joke and for mates, who constantly suggested he try and make the style.

THE UPBEATS
In today’s heady climate of bass-fuelled dance music it could easily be argued that producer-DJs are the new rock stars. Climbing into that mould with a pair of schoolboy grins on their faces, The Upbeats have already been playing that role for years. Their anything-goes live performances are renowned for mosh pits, topless dancers (sometimes women) and crowd surfing, while their approach to writing hard-hitting, unique-sounding drum & bass is lauded across the globe.

Nicknamed Terror Snake and Downie Wolf respectively, Jeremy and Dylan are not your average, boring producers. Meeting at school through mutual interests in surfing, skating and ‘being gangly teenagers’ Jeremy had to work hard to pull Dylan into the world of drum & bass. But, armed with a stack of Mickey Finn & Aphrodite mixtapes and an unrelenting attitude, the snake soon overcame the wolf’s natural propensity for rock music and, fortunately for us all, a love of fast breakbeats and low-slung basslines soon followed.